Today I had to go to the downtown courthouse in Los Angeles, and I
thought again about Dad. It is almost inconceivable to me to think of the city
without him in it. As I walked up Spring Street, which is where he first
worked in this country in 1961, as a draftsman in the architectural firm of Smith,
Powell & Morgridge, I thought about how he would miss seeing the new projected
expansion of First Street towards City Hall in the east, where
all kinds of brand new buildings are going up. The old State Building on
Hill and First is a gaping hole. Of course this was not his particular
neck of the woods. He avoided the courts and government buildings, and
thrived in the west side of the city. He knew it so well. Every nook and
cranny, every bar and art gallery, every restaurant and hide-away of the
old city of Los Angeles, he knew. Hill and Ord was his favorite
intersection in the government side, for here used to be the great
restaurant 'Costa's Grill' where he went practically every day for lunch
and drinks and dinner. I had many fun lunches with him there. The owner,
Al Mosca, loved Dad because of his love of Italian Opera, and allowed Dad
to pick his own cuts of meat for grilling. This was in the sixties and
seventies. He was truly sad when Mosca sold out to a cheesy 'Velvet
Turtle,' the ruins of which are still there in the undeveloped corner. But
after Costa's closed, he discovered Cook's Steak House, on the west side,
and he loved that place very much as well. He was always there, and
everybody knew him. Tout le Monde, of L.A.! On the west side were also
his professional triumphs: the offices at Boyd Jeffries & Co., a
photograph of which Felicia published on the net today, were in the Union
Bank building at Figueroa and Fifth. He also did the offices for the
Sullivan Insurance Group and for Hotchkiss & Wiley (now part of Lloyd's of
London). Then he chaired the interior design department at FIDM, through
the eighties and nineties, and that was at 7th. and Figueroa, a choice spot
for Art Deco buildings. He would take his classes on a tour of downtown,
showing them the detail of the arches and gavettes, the Art Deco and
Jugendstil style of the old L.A. office buildings, famous now. Yesterday,
in my thoughts, he was "German." Today he's "downtown Dad." After I was
through in court, I went up to the roof of the courthouse to look at the
views of the city and beyond. The courthouse is on Hill and First, across
from the gaping hole left by the State Building. From up there you see all
of L.A., brown and misty towards the east and south, and bright and blue,
at least today, towards the west and north. I looked towards Santa Monica,
I looked towards the Valley, and I felt keenly the absence left by Dad in
my home town, the place where we settled as immigrants in the USA. His is
a whole history in the city, and of the city. Looking down at it, the
Music Center, the Disney Hall, and beyond to the west, I couldn't help but
smile at Dad's downtown life, so many years that he loved so much.
Tuesday, December 11, 2007
"Downtown Dad" from Bert
1st attempt: Tribute Video
This is the 1st attempt. I may make another one if people send me more pictures (e.g. if I get more pictures of German with friends; this one is almost entirely family). Also, there is a mistake in this video. There is one picture where the heads got cut off - I have *no* idea why. Otherwise I think it's OK.
More Video Viewing Options... Just in case.
German's Obituary
German C. Sonntag, architect, interior designer, beloved brother, father, grandfather, and great-grandfather, passed away on Sunday, December 9, 2007, in San Diego.
He was born on January 5, 1920, in Buenos Aires, the youngest of three children. His father was an immigrant from Leipzig; his mother was born in Argentina. He was educated at the Buenos Aires Germania Schule. He married Iliana Redlich in 1944, and they had seven children, who were born in Argentina between 1945 and 1958.
German received his degree in Architecture from the University of Buenos Aires in 1950. Licensed both as an architect and an engineer, he was Director of Works (Director de Obras), for the City of Buenos Aires before deciding to emigrate to the United States in 1960, and settle in Los Angeles. Here he worked initially for the architectural firm of Smith, Powell & Morgridge in the city. Thereafter, his interests turned towards design and In-Architektur, and he became the Director of Design for the General Fireproofing Company of Youngstown, Ohio. In 1969 he took on commercial and residential design as an independent, and founded his own firm under the name of Classicus, Inc. In the nineteen seventies, he undertook, under this name, several distinguished projects in Los Angeles. He designed the offices of Boyd Jeffries & Co., in the Union Bank building at Figueroa and Fifth; various offices for the Sullivan Insurance Group; Hotchkiss & Wiley; and Max Factor, Hollywood, among many others.
German taught at the Fashion Institute of Design and Merchandising (FIDM), first introducing history as a subject in the training of designers, and in 1979 became Chairman of the Interior Design Department. He would frequently lead his students through walks along the streets of downtown Los Angeles, pointing out to them the significant architectural details, the arches, gavottes and architraves of the old office buildings, the now famous Art Deco, Jugendstil and neo-Gothic structures of our downtown city.
His range of talent spanned several areas of design and interior architecture, in addition to commercial interiors, and he designed private residences in Laguna Beach, Santa Monica, Malibu, Glendale, and Pasadena. German was a regular and enthusiastic participant in the Pasadena Showcase House for the Arts (PSHA) program throughout the 1980’s and 1990’s. To the end, he refused to abandon his work and his outreach activities. He continued to design well into his eighties. As recently as the year 2004, he won the design challenge contest on the HGTV television show, “Designers’ Challenge.”
German was active in several professional associations, especially the American Society of Interior Designers (ASID), serving on the Board from 1968-1990, including several years as First Vice President and Historian of the Los Angeles Chapter. German was also an active member of the International Furnishings Design Association (IFDA), the Institute of Business Designers (IBD), the Society of Architectural Historians, the Decorative Arts Council of the Los Angeles County Museum of Art, and was an Associate Member of the American Institute of Architects (AIA). He published several articles in local and national magazines such as Designers West and Interior Design.
Santa Monica became his beloved home in the early 1970s, and he lived there for close to thirty-five years. He was a passionate lover of music, particularly that of the great German classics, and he loved the visual arts with equal fervor. His eye for beauty was as certain as the eagle's on his prey. An avid reader, German collected thousands of books and magazines on a diverse range of topics, which are now placed in various academic and public libraries. He traveled widely in the United States, Europe and Latin America. He was fluent in German and French, as well as his native Spanish. A cosmopolitan and cultured man – indeed, a true romantic – German will be sincerely missed by many.
German Sonntag is survived by his seven children, Albert, Fred, Alec, Iliana, Gabriela Morris (Gary), Mariana Whitmer (George), and Paul; thirteen grandchildren; five great-grandchildren; his sister Gerda Anderson and her family in Argentina; as well as various cousins scattered throughout the old German cities of Leipzig, Bonn, Luebeck, Koeln, and Mainz, with whom he remained in friendly contact throughout his life.
A memorial service will be held on Sunday, January 6, 2008 from 2:00-4:00pm at Throop Memorial Church, 300 S. Los Robles, Pasadena.
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