Friday, April 9, 2010

From my Chronicle of the Family: The Sonntags





Maximo Sonntag (1881-1949)

Of my father’s family, I know of only one immigrant, and that was his own father, Max, or Maximo, Sonntag. I remember my grandfather quite well, having seen him on a few occasions before his death, which occurred on April 28, 1949, on the eve of what was to be another one of his great trips to Europe. My grandfather was born on November 8, 1881, in the small town of Torgau, on the River Elbe, in Saxony. His family was from the even more diminutive town of Gross Osterhausen, at the foot of the Harz Mountains in Saxony, just a few miles south of Eisleben, where Martin Luther was born and died. It is said that Maximo’s father, my great-grandfather, migrated from the farm lands to the city of Leipzig where he eventually became a well-known tramway conductor. Or perhaps he became the head of all tramway conductors in the city, for when he died, it is said that all the tramways in Leipzig were stopped for a few minutes, in his honor. But some of his relatives remained on the farm, because my father visited with them in 1937, on the occasion of a family visit to Germany. Eventually, all these Saxon Sonntags moved to Leipzig, and the family land must have been alienated some time after the Second World War. Gross Osterhausen was within the Communist state of the Deutsche Demokratische Republik.

My father often spoke of his relatives in Gross Osterhausen with a sort of loving irony. I think he was bemused at having authentic peasants for ancestors. He described the farm as a series of large buildings on a plot that was no larger than the average Los Angeles suburban back-yard. I assume he was exaggerating as to its smallness. The buildings were typical German farm structures, as evidenced in the following photograph:
Sonntags at the farm in Gross Osterhausen (probably the 1937 visit?): My grandmother Berta is second from the left, and my tia Gerda is right next to her on the left. I don’t recognize the others.
An earlier occasion in Gross Osterhausen (date unknown): Berta is second from right in the back, tia Gerda in the front center and, next to her on her right, my father being held by my uncle Max, his older brother.

But to return to the story, and hence to the nineteenth century, in Leipzig, my grandfather must have trained in business and perhaps come to be noticed by the brothers Berger of Bingen, a small town in the Rhineland, in the valley of the Mosel. The Bergers owned a successful import-export business in printing supplies, a firm with international connections. The house of Curt Berger had a branch in Buenos Aires, and some time in the early years of the twentieth century, perhaps 1905, my grandfather was assigned to that post. If 1905 is the precise date of his arrival, and I do not know this for certain, then he was in his mid-twenties when he began his new life in Buenos Aires. He did not know a word of Spanish, and he arrived in a ship with little on him of any value.
I have unfortunately very little information about the early life of my grandfather in Buenos Aires. I have heard that he worked very hard in the firm, and that he would come home and put his bare feet in a pan of ice-cold water so as to stay awake and study for the Argentine naturalization examination. Eventually, he became a citizen and he learned to speak Spanish fluently. His story is one of relentless business success, as he worked his way to the board of directors of the company by the time he was in his forties. He lived in a modest house in the remote suburb of Jose C. Paz, north-west of the city, but in the 1940’s, he had it remodeled, and it became the large, elegant house that I knew as a boy. It was a very large landscaped estate, with a large garden, broad avenues, fish ponds, an old fashioned swimming pool, tall trees and flower beds everywhere.

The Wessels

But I’m getting ahead of the story. Maximo married Berta Wessel, my grandmother, in Buenos Aires, on January 25, 1909. My uncle Maximo (tio Bummel) was born a year later, on December 27, 1910. Berta Auguste Wessel was born on September 4, 1886 in Buenos Aires. I know even less about her family history than his, but I will leave her own personal history for later, as I am here concerned exclusively with the immigrants.

Berta Auguste Wessel de Sonntag in Mar del Plata (late 1950’s).

Berta’ father was Cesario Wessel, an engineer, lecturer, and secretary at the University of Buenos Aires, reputed to have translated into Spanish a book by Richard Napp Zinn, a relative on his wife’s side, entitled Die Argentinische Republik. He was born in the Province of Entre Rios, in the city of Concepcion del Uruguay, on December 25, 1856. I have no information on his parents or what part of Germany they came from. My father told me that visiting his home in Buenos Aires was always a gloomy experience, as it was a cold and damp house.

Cesario Wessel was married twice, and both his wives were sisters from an old Rhineland family. The first wife was Magdalene Johanna Amalie Martha Napp, born in Hamburg on January 22, 1863, in the eastern suburb of St. Pauli. She married Cesario in Buenos Aires on October 25, 1884, and their first child, also named Cesario (the old tio Cesario) was born a year later, on August 23, 1885, and my grandmother Berta on September 4, 1886. Magdalene died on July 4, 1921 in Buenos Aires.


Cesario Wessel and Tante Molly (date unknown)

Tante Molly then became Cesario’s second wife, and she was alive in my lifetime and I knew her well. Her name was Amalie (Mali, or Molly) Margarethe Napp, and she was born in Hoboken, New Jersey, on June 18, 1874. She married Cesario after her sister’s death on December 12, 1923. Her marriage was childless.

Why was Tante Molly born in Hoboken? Tante Molly had an interesting family. Her father, Felix Jacob Napp, was a sailor and eventually a sea captain from the port of St. Pauli in Hamburg. He was born on December 17, 1833. He was living in Hoboken, New Jersey, when Tante Molly was born in 1874. I recall my father telling me that this man had died in Brooklyn, when he fell from the docks and was crushed by a ship there. In any case, his violent ending and obscure destiny belie his origins, which were solid bourgeois, from an old middle-class and well-educated family rooted since time immemorial in the beautiful Rhineland town of St. Goarshausen.

St. Goarshauen on the Rhine

My grandmother, Berta Wessel, was the first child of Cesario and his first wife Magdalene, and she is reputed to have been the de facto mother of all those children during the course of her early life, as her mother was in some way incapacitated. I have little evidence for this, and am ignorant of the reasons for it, but if it is true, it would account for my grandmother’s strongly totalitarian personality. There were quite a few Wessels, but I only knew my grandmother and her younger sister, Tante Juanita, (Johanna Juliane Wessel, 1889-1969) who was a delightful woman and married to one of the Hasenbalgs, the family of my brother-in-law, Rodolfo Grigera.

1 comment:

illie said...

Wonderful, Bert. Thanks for writing this up. Keep up the chronicles.

1st attempt: Tribute Video

This is the 1st attempt. I may make another one if people send me more pictures (e.g. if I get more pictures of German with friends; this one is almost entirely family). Also, there is a mistake in this video. There is one picture where the heads got cut off - I have *no* idea why. Otherwise I think it's OK.

More Video Viewing Options... Just in case.

You can also view the video on YouTube.




German's Obituary


German C. Sonntag, architect, interior designer, beloved brother, father, grandfather, and great-grandfather, passed away on Sunday, December 9, 2007, in San Diego.

He was born on January 5, 1920, in Buenos Aires, the youngest of three children. His father was an immigrant from Leipzig; his mother was born in Argentina. He was educated at the Buenos Aires Germania Schule. He married Iliana Redlich in 1944, and they had seven children, who were born in Argentina between 1945 and 1958.

German received his degree in Architecture from the University of Buenos Aires in 1950. Licensed both as an architect and an engineer, he was Director of Works (Director de Obras), for the City of Buenos Aires before deciding to emigrate to the United States in 1960, and settle in Los Angeles. Here he worked initially for the architectural firm of Smith, Powell & Morgridge in the city. Thereafter, his interests turned towards design and In-Architektur, and he became the Director of Design for the General Fireproofing Company of Youngstown, Ohio. In 1969 he took on commercial and residential design as an independent, and founded his own firm under the name of Classicus, Inc. In the nineteen seventies, he undertook, under this name, several distinguished projects in Los Angeles. He designed the offices of Boyd Jeffries & Co., in the Union Bank building at Figueroa and Fifth; various offices for the Sullivan Insurance Group; Hotchkiss & Wiley; and Max Factor, Hollywood, among many others.

German taught at the Fashion Institute of Design and Merchandising (FIDM), first introducing history as a subject in the training of designers, and in 1979 became Chairman of the Interior Design Department. He would frequently lead his students through walks along the streets of downtown Los Angeles, pointing out to them the significant architectural details, the arches, gavottes and architraves of the old office buildings, the now famous Art Deco, Jugendstil and neo-Gothic structures of our downtown city.

His range of talent spanned several areas of design and interior architecture, in addition to commercial interiors, and he designed private residences in Laguna Beach, Santa Monica, Malibu, Glendale, and Pasadena. German was a regular and enthusiastic participant in the Pasadena Showcase House for the Arts (PSHA) program throughout the 1980’s and 1990’s. To the end, he refused to abandon his work and his outreach activities. He continued to design well into his eighties. As recently as the year 2004, he won the design challenge contest on the HGTV television show, “Designers’ Challenge.”
German was active in several professional associations, especially the American Society of Interior Designers (ASID), serving on the Board from 1968-1990, including several years as First Vice President and Historian of the Los Angeles Chapter. German was also an active member of the International Furnishings Design Association (IFDA), the Institute of Business Designers (IBD), the Society of Architectural Historians, the Decorative Arts Council of the Los Angeles County Museum of Art, and was an Associate Member of the American Institute of Architects (AIA). He published several articles in local and national magazines such as Designers West and Interior Design.

Santa Monica became his beloved home in the early 1970s, and he lived there for close to thirty-five years. He was a passionate lover of music, particularly that of the great German classics, and he loved the visual arts with equal fervor. His eye for beauty was as certain as the eagle's on his prey. An avid reader, German collected thousands of books and magazines on a diverse range of topics, which are now placed in various academic and public libraries. He traveled widely in the United States, Europe and Latin America. He was fluent in German and French, as well as his native Spanish. A cosmopolitan and cultured man – indeed, a true romantic – German will be sincerely missed by many.

German Sonntag is survived by his seven children, Albert, Fred, Alec, Iliana, Gabriela Morris (Gary), Mariana Whitmer (George), and Paul; thirteen grandchildren; five great-grandchildren; his sister Gerda Anderson and her family in Argentina; as well as various cousins scattered throughout the old German cities of Leipzig, Bonn, Luebeck, Koeln, and Mainz, with whom he remained in friendly contact throughout his life.

A memorial service will be held on Sunday, January 6, 2008 from 2:00-4:00pm at Throop Memorial Church, 300 S. Los Robles, Pasadena.